An elegant and intelligent wayfinding system by Norwegian multi-disciplinary firm Snøhetta for the Groupe Le Monde Headquarters in Paris. The concept pays tribute to the tradition and art of newspaper typography and printing.
A self promotion for Alt Group from a few years back that is both minimal and magnificent. If the pun escapes you, ask a NZ friend to say ‘three bears’ …
A simple idea executed well by Bleed. The Food Society logo embodies the idea of community; the collective ‘O’ represents the shared point where different kitchens come together under one roof in Norway's only “dine-in-first” restaurant concept.
Branding by designer Oliver Hilliker for Achilles Hell and its Run Club. Simply by using the slanted cut of the font, the Run Club get a high energy look whereby the 'R' legs are a perfect visual manifestation of running.
Craig Ward has created an art series called Brikfont where the artist recreates iconic typography and typefaces using only Lego pieces.
A clever symbol, a crown motif extracted from Nervi’s ceiling design, sits at the centre of the identity, intrinsically linking the architecture of the theatre, its name, and its location on King St. Perfect location and perfect copywriting as well.
This is such a simple, elegant idea, crafted to perfection. The juxtaposition in the name is beautifully dramatised by the colour blocks – forming, of course, an L shape. The way it shrinks and grows – from little to more and little again – is so pleasing to watch. Chic, smart, unfussy but distinctive. Gorgeous.
‘Our Type of Food’ is an own label range of food and drink by department store, Jarrold. With 250 years of history, the Jarrold family business was once an established printing and publishing firm. The Click have created a name, identity and packaging solution that references this rich printing heritage. Artworks have been created using their very own collection of letterpress type and Jarrold’s historic printing presses. A gift of a solution and one that tells a truly unique back story.
